Sneak peek at the amazing winner photos in Wildlife Photographer of the Year

Have a sneak peek at the stunning winning photos, which will be on display at the Natural History Museum of Denmark from 21 November 2025 until 20 September 2026, along with the other finalists in the prestigious Wildlife Photographer of the Year competition. See nature through a new lens, and delve into the stories behind the images.

Winner of Wildlife Photographer of the Year

From over 60,000 submitted images captured by photographers across the globe, an expert panel this year selected South African Wim van den Heever as the grand title winner of Wildlife Photographer of the Year.

Wim van den Heever (South Africa) photographs this haunting scene of a brown hyena among the skeletal remains of a long-abandoned diamond mining town.

Adult grand title winner

With sea fog rolling in from the Atlantic Ocean, Wim chose this spot for his camera trap after noticing hyena tracks nearby. ‘It took me 10 years to finally get this one single image of a brown hyena, in the most perfect frame imaginable.’

The rarest hyena species in the world, brown hyenas are nocturnal and mostly solitary. They are known to pass through Kolmanskop on their way to hunt Cape fur seal pups or scavenge for carrion washed ashore along the Namib Desert coast.

Photo
'Ghost Town Visitor' by Wim van den Heever, South Africa ©
Category winner
Urban Wildlife
Location
Kolmanskop, near Lüderitz, Namibia
Technical details
Nikon D810 + 17–35mm f2.8 lens at 17mm; 15 at f2.8; ISO 3200; 2x Nikon SB-800 Speedlight flashes; Camtraptions motion sensor
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@wim_van_den_heever
How fitting that this photograph was taken in a ghost town. I love the twist on this interpretation of the urban – it once was but is no longer a human-dominated environment. It was abandoned by miners, and now wildlife has taken over. You know that you are in this hyena’s realm.
Kathy Moran
Chair of the jury

Young Wildlife Photographer of the Year

One of the competition’s annual highlights is the celebration of the most talented young nature photographers – the next generation of visionaries driven by a passion for the natural world. But only one can claim the title of Young Wildlife Photographer of the Year.

Andrea Dominizi (Italy) finds a longhorn beetle – a forest sentinel observing an intruder.

Young Grand Title Winner

Andrea noticed this longhorn beetle while walking in the Lepini Mountains of central Italy, in an area once logged for old beech trees. Using a wide-angle lens and off-camera flash, he framed the beetle against abandoned machinery. 

Andrea’s photograph tells a poignant story of habitat loss. As longhorn beetles tunnel into dead wood, fungi make their way inside, helping to break it down and recycle nutrients. If the beetles’ habitat is disturbed or destroyed, the effects ripple across the entire ecosystem.

Photo
'After the Destruction' by Andrea Dominizi, Italy ©
Category winner
Young Photographers: 15–17 Years
Location
Lepini Mountains, Lazio, Italy
Technical details
Nikon D7100 + Tokina 10–17mm f3.5–4.5 fisheye lens at 17mm; 1/80 at f8; ISO 400; Godox TT350 off-camera flash and diffuser
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@a.andrea.do
David and Goliath come to mind when looking at this photograph. The angles and the colours of the wood and the machine hold this image together in a terse moment of suspense. It’s a wonderful example of storytelling in a single frame, with a powerful conservation message.
Kathy Moran
Chair of the jury

The Impact Award

The Impact Award is given to one of the 100 finalists to recognize a story that inspires hope and drives action for positive change.

Fernando Faciole (Brazil) watches an orphaned giant anteater pup follow its caregiver after an evening feed at a rehabilitation centre.

Fernando wanted to highlight the consequences of road collisions, a leading cause of the decline in giant anteater numbers in Brazil. This pup’s mother was killed by a vehicle, and the hope is that it will be released back into the wild after being encouraged to develop crucial survival skills by its caregiver.

Alongside rehabilitation centres, the Anteaters and Highways project of the Wild Animal Conservation Institute is developing strategies to reduce anteater deaths on Brazil’s roads. These include erecting fences and building underground tunnels to allow the anteaters to cross safely.

Photo
'Orphan of the Road' by Fernando Faciole, Brasil ©
Category winner
Impact Award
Finalist
Photojournalism
Location
Centro de Triagem de Animais Silvestres (CETAS),Belo Horizonte, Brazil
Technical details
Nikon D850 + 24–70mm f2.8 lens at 28mm; 0.8 at f22; ISO 31; Nikon Speedlight flash with Greica CT-16 transmitter/receiver
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@fernando.faciole

Category winners

Jamie Smart (UK) spots an orb weaver spider inside its silken retreat on a cold September morning.

Jamie first noticed the dew-laden web before realising its maker was sitting in a nest. With the patience and steadiness needed to manually focus her camera, she kept the spider perfectly lit and symmetrically framed.

This spider’s web is constructed from a scaffold of radial threads, overlaid with a spiral of sticky silk to hold ensnared insects. A strong signal thread transmits vibrations to the spider’s hiding place, triggering it to emerge and collect its prey.

Photo
'The Weaver’s Lair' by Jamie Smart, UK ©
Category winner
Young Photographers: 10 Years and Under
Location
Mid-Wales, UK
Technical details
Nikon Z9 + 105mm f2.8 lens; 1/200 at f10; ISO 80; Nikon SB-910 Speedlight flash; Cygnustech diffuser
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@eagle_eyed_grl

Lubin Godin (France) finds himself in mist-shrouded mountains with silhouetted ibex.

Lubin spotted the Alpine ibex resting above a sea of clouds during an early morning ascent. As the mist rose and the sun broke over the crags, he retraced his steps to capture this ethereal moment before fog thickened and the light faded.

Native to Europe, the species was hunted close to extinction in the early 1800s. Thanks to protection and reintroduction efforts, ibex now roam large areas of the Alps. However, a rapidly changing climate causing shifts in food availability during breeding seasons may hinder their survival.

Photo
'Alpine Dawn' by Lubin Godin, France ©
Category winner
Young Photographers: 11–14 Years
Location
Col de la Colombière, Haute-Savoie, France
Technical details
Canon EOS R7 + 100–400mm f4.5–5.6 lens at 140mm + 1.4x teleconverter; 1/640 at f8; ISO 100
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@nidonibul

Shane Gross (Canada) witnesses a peppered moray eel very much in its element hunting for carrion at low tide.

It took Shane numerous attempts over several weeks to document this rarely photographed behaviour. At first the eels were elusive, but once Shane realised that they were scavenging for dead fish, he waited. His patience was soon rewarded when these three eels appeared. 

Peppered moray eels are well adapted to the intertidal zone. They can hunt both above and below the water’s surface using their keen senses of smell and sight, sometimes staying out of water for more than 30 seconds.

Photo
'Like an Eel out of Water' by Shane Gross, Canada ©
Category winner
Animals in their Environment
Location
D’Arros Island, Amirante, Seychelles
Technical details
Nikon Z6 + 24–70mm lens at 24mm; 1/250 at f5.6; ISO 2500; Godox AD400 Pro flash with 24-inch diffuser; light stand
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@shanegrossphoto

Philipp Egger’s (Italy) patience is rewarded with the orange glint of an eagle owl’s eyes and the evening light falling on its feathers.

Philipp first saw this nest while climbing and spent four years observing it from a distance. He planned this image meticulously, right down to the slight camera wobble to blur the few elements present, using a telephoto lens. 

About twice the weight of a buzzard and with a wingspan approaching 180 centimetres (6 feet), these formidable nocturnal predators are among the largest owls. They nest on sheltered cliff ledges or in crevices, often returning to the same site for years.

Photo
'Shadow Hunter' by Philipp Egger, Italy ©
Category winner
Animal Portraits
Location
Naturns, South Tyrol, Italy
Technical details
Nikon Z9 + 180–600mm f5.6–6.3 lens; 1/10 at f29; ISO 320
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@philipp_egger_photography

Qingrong Yang (China) perfects photographic timing to show a ladyfish snatching its prey from right under this little egret’s beak.

Qingrong was at Yundang Lake near his home, a place he visits regularly to photograph the feeding frenzies: little egrets patrol the surface, ready to pounce on fish leaping to escape underwater predators.

Once a natural marine harbour, Yundang Lake was sealed off from the sea during 1970s development. Isolated from the tides and currents, it became polluted and stagnant. An engineering project later reconnected it to the sea via a system of gates that regulate water flow.

Photo
'Synchronised Fishing' by Qingrong Yang, China ©
Category winner
Behaviour: Birds
Location
Yundang Lake, Fujian Province, China
Technical details
Nikon Z9 + 400mm f2.8 lens; 1/2500 at f5; ISO 110

Quentin Martinez (France) discovers a gathering of lesser tree frogs in a breeding event.

In persistent rain, Quentin followed a flooded path to a temporary pool in a forest clearing. He framed this scene with a wide-angle lens and used a diffused flash, which didn’t disturb the frogs, to highlight their metallic sheen.

To attract mates, lesser tree frogs produce short, shrill calls. Huge numbers gather, and the spectacular breeding event – triggered by heavy rains – lasts for just a few hours.

Photo
'Frolicking Frogs' by Quentin Martinez, France ©
Category winner
Behaviour: Amphibians and Reptiles
Location
Kaw Mountain, French Guiana
Technical details
Canon EOS 7D Mark II + 17–40mm f4 lens at 24mm; 1/200 at f16; ISO 500; 4x Meike MK320 flashes; homemade softbox
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@quentin_martinez_wildlife

Georgina Steytler (Australia) showcases the strange headgear of a gum-leaf skeletoniser caterpillar.

Georgina had been looking out for this caterpillar for years when she noticed eucalyptus trees bearing skeletonised leaves, telltale signs that the animal had been grazing. She took this image backlit by the setting sun, using a fill-in flash to illuminate the living head at the base of the stack. 

This caterpillar’s unusual headgear is made up of old head capsules, each retained with every moult. The resulting tower is believed to help deflect attacks by predators.

Photo
'Mad Hatterpillar' by Georgina Steytler, Australia ©
Category winner
Behaviour: Invertebrates
Location
Torndirrup National Park, Western Australia, Australia
Technical details
Olympus OM-D E-M1 Mark III + 90mm f3.5 lens; 1/250 at f22; ISO 500; Godox flash
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@georgina_steytler

Audun Rikardsen (Norway) witnesses feeding time around an Atlantic fishing vessel during a polar night in northern Norway.

Audun managed to photograph this chaotic scene of gulls attempting to catch fish trapped by nets. The gulls have learnt to follow the sound of the boats to find a herring feast. Through his work, Audun aims to draw attention to the ongoing conflict between seabirds and the fishing industry. 

Unfortunately, many birds drown in or around these purse seine nets each year. Various fisheries and researchers are trialling solutions, including sinking the nets more quickly to make them less accessible to the birds.

Photo
'The Feast' by Audun Rikardsen, Norway ©
Category winner
Oceans: The Bigger Picture
Location
Kvænangen Fjord, Skjervøy, Norway
Technical details
Canon EOS R5 + 15–35mm f2.8 lens at 15mm; 1/200 at f4.5; ISO 10000; Canon Speedlite 600EX II flash; LED torch
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@audunrikardsenphotography

Chien Lee (Malaysia) uses a UV torch to reveal the fluorescent world of an insect-attracting pitcher plant.

Insects can see ultraviolet (UV) light, but humans can’t, so Chien used a long exposure and a UV torch. Waiting until after sunset, he had just a five-minute window before the ambient light illuminating the backdrop disappeared completely.

Some carnivorous pitcher plants reflect UV light on certain areas as part of their ‘display’. They use colour, scent and nectar to lure their prey into pools of digestive juices at the bottom of their leaves.

Photo
'Deadly Allure' by Chien Lee, Malaysia ©
Category winner
Plants and Fungi
Location
Kuching, Sarawak, Borneo, Malaysia
Technical details
Nikon Z9 + Laowa 15mm f4 macro lens; 30 at f16; ISO 100; Convoy C8 ultraviolet torch
Follow
@chienleephotography

Simone Baumeister (Germany) shows an orb weaver spider on its web on a pedestrian bridge, silhouetted by lights from the cars below.

To achieve this kaleidoscopic effect, Simone reversed one of the six glass elements in an analogue lens. This distorted the image at the edges while leaving the centre sharply focused. She then cropped the picture to move the spider slightly off-centre.

In urban environments, orb weaver spiders often spin webs near artificial lights that attract insects at night. The web acts as an extension of their sense organ, gathering sound and transmitting vibrations, including those of prey, to their legs.

Photo
'Caught in the Headlights' by Simone Baumeister, Germany ©
Category winner
Natural Artistry
Location
Ibbenbüren, North Rhine-Westphalia, Germany
Technical details
Canon EOS R5 + Carl Zeiss Jena Pancolar 50mm f1.8 lens + 16mm extension tube; 1/250 at f2.8 (-1.33 e/v); ISO 1250
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@simone_baumeister

Ralph Pace (USA) beautifully illuminates the egg case of a swell shark, tethered to the base of a giant kelp.

Faced with strong currents pushing him from side to side, Ralph struggled to keep steady to photograph this egg case, or ‘mermaid’s purse’. He lit the case from behind to reveal the swell shark embryo within, its gill slits and yolk sac clearly visible among the dark kelp forest.

Researchers estimate that kelp forests in Monterey Bay have declined by more than 95 per cent over the past 34 years. Swell sharks depend on kelp to lay their leathery eggs, making them especially vulnerable to such losses.

Photo
'Survival Purse' by Ralph Pace, USA ©
Category winner
Under Water
Location
Monterey Bay, California, USA
Technical details
Nikon D850 + 28–70mm f3.5–4.5 lens; 1/125 at f14; ISO 640; Nauticam housing; 2x Sea & Sea strobes
Follow
@ralphpace

Sebastian Frölich (Germany) finds a springtail among a galaxy of neon green gas bubbles in Austrian moorlands.

Sebastian visited this fragile wetland ecosystem to highlight its importance as a vast store of carbon dioxide and as a habitat for diverse wildlife. A tiny springtail ran across escaping gas bubbles rising through the algae, giving this image a sense of scale. 

Austria has lost 90 per cent of its peat bogs, and only 10 per cent of those that remain are in good condition. Platzertal is one of the last intact high moorlands in the Austrian Alps, and an area renowned for its carbon-storing peat bogs.

Photo
'Vanishing Pond' by Sebastian Frölich, Germany ©
Category winner
Wetlands: The Bigger Picture
Location
Platzertal, Tyrol, Austria
Technical details
Nikon Z7 + 105mm f2.8 lens; 1/800 at f9 (-1.67 e/v); ISO 400
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@sebastianfroelich

Jon A Juárez (Spain) documents the groundbreaking science to save the northern white rhino from extinction through in vitro fertilisation (IVF).

Jon spent years documenting the work of the BioRescue Project, and says that witnessing a milestone in saving a species ‘was something I will never forget’.

This southern white rhino foetus, which did not survive due to an infection, was the result of the first successful rhino embryo transfer into a surrogate mother through IVF. This breakthrough paves the way for saving the rare northern white rhino from extinction, as scientists can take the next crucial steps towards transferring the first northern white rhino embryo into a southern white rhino surrogate.

Photo
'How to Save a Species' by Jon A Juárez, Spain ©
Category winner
Photojournalism
Location
Ol Pejeta, Nanyuki, Laikipia County, Kenya
Technical details
Nikon Z9 + 24–120mm f4 lens at 24mm;1/400 at f7.1; ISO 1600; LED light panel
Follow
@jonjuarez.photo

Javier Aznar González de Rueda (Spain) explores the complex relationship between humans and rattlesnakes across the United States.

For centuries, rattlesnakes have been viewed in vastly different ways across the American continent – from reverence and respect to fear and suspicion. Annual rattlesnake round-ups, where hunters compete to collect the highest weight of snakes, began in the 1930s. Today, these competitions are losing their appeal, but in some states, anti-rattlesnake sentiment remains strong.

In this portfolio, Javier calls for respect and protection for these creatures before they disappear from the American landscape.

Photo
'End of the Round-up' by Javier Aznar González de Rueda, Spain ©
Category winner
Photojournalist Story Award
Location
USA
Technical details
Sony α7R III + 24–70mm f2.8 lens at 44mm; 1/30 at f10; ISO 4000
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@javier_aznar_photography

Luca Lorenz (Germany) explores his passion for the natural world by viewing it through an artistic lens.

Luca’s childhood ambition was to learn everything he could about birds. He spent long hours in the parks around his home on the outskirts of Berlin, observing them. He bought his first camera when he was 13, and photography became a passion.

Through photography, Luca is able to spend time in nature and highlight its beauty. His portfolio aims to show people his personal view of nature and inspire others to protect it.

Photo
'Watchful Moments' by Luca Lorenz, Germany ©
Category winner
Rising Star Award
Location
Germany
Technical details
Nikon D850 + Tamron 15–30mm f2.8 lens at 15mm; 1/2 at f22; ISO 1000; Nikon Speedlight SB-28 flash
Follow
@luca_lorenz_wildlife

Alexey Kharitonov (Israel/Russia) finds art in unexpected perspectives across Russia’s northern swamps.

Alexey is a self-taught photographer with a passion for landscape photography. His artistic exploration of remote regions in the Russian North, Siberia and Asia highlights taiga and Arctic tundra scenes as summer rapidly turns to winter. 

Using drones, he picks out details in these vast terrains, showcasing their wild beauty through striking compositions. Yet beyond this visual feast lie human-made threats – not least a pressing vulnerability to climate change.

Photo
'Visions of the North' by Alexey Kharitonov, Israel/Russia ©
Category winner
Portfolio Award
Location
Russia
Technical details
DJI Mavic 3 Classic + Hasselblad L2D-20c 24mm f2.8 lens; 1/25 at f2.8 (-0.7 e/v); ISO 100